Nick Coley painting returns to Canessa through December.
M-F 10-3
708 Montgomery
San Francisco CA 94111
Stories of any kind and shameless promotion of Canessa Gallery, a volunteer-run exhibition space and creative offices located in North Beach on the site of the notorious Black Cat.
I use portrait painting as a genre to explore politics of representation. Who and what does a portrait really depict? How much of this depiction is about the observed, how much about the observer, and how much is influenced by the prevailing social/political and economical circumstances?
At the same time, I also appreciate the process as a purely painterly exploit.
Representation is an entirely subjective venture. As an Iranian/Armenian/American, a woman and an artist, I find myself subject to representation on a regular basis. After years of attempting to hack my way through seemingly never ending crop of stereotype and misrepresentation, I am beginning to resign to this fact.
And so, a portrait can be conceived as a mirror: the observer, whether it’s the artist or the viewer, will project in it his or her self. Yet, what remains after the fact is the true intrigue of a portrait, its mystery.
Termeh Yeghiazarian
Termeh, a San Francisco bay area artist works mainly in mixed media and conceptual art. Her body of work is a visual journey which explores the dichotomy of her cultural background as an Iranian/Armenian/American.
Through portraiture Termeh eliminates the conventional engagement with the subject and viewer. She depicts her portraits from behind or in profile. Her portrait creates a dialogue between identity and representation of her interlocking worlds. It creates a dialogue about diversity, beauty, individuality and anonymity.
In her recent series, Anonymous North Beach, she does a case study of the local artistic community in North Beach. Through each portrayal, Termeh tries to define the social context of the individual, the community and her connection to it all. It’s in searching and investigating of others that we find a connection and contrast in ourselves. -- Nerissa Hallim
Canessa Park was perfect because of the light. And the turquoise doors. And the brick. And the people in the wooden chairs ... and how washing my hands there feels communal and safe.