How does the body affect our emotional well-being? How does the mind try to right itself after physical and emotional injury? In Van Houten's case, the painstaking and time-consuming construction of works of art is a way of trying to understand and express psychological damage and bodily harm. A fleshy poinsettia-like flower illustrates the mechanics of emotional entrapment; an obsessively constructed sarcophagus evokes the suspension of both the body and disbelief; a human head in traction shows us how we try to hold fractured beliefs in place. Instruments of entrapment and physical invasion are displayed in mandala-like formations on the walls. —Carolyn Miller
Wednesday, February 13, 2013
Thomas Van Houten Installation Views
Wednesday, February 06, 2013
Wednesday, November 28, 2012
Saturday, November 03, 2012
Wednesday, October 24, 2012
Saturday, September 22, 2012
Nature in the City II
September, 2012
Barbara Oplinger, Painting boplinger.com/art
Boris, Woodworking
Corinne DeBra, Photography http://www.walking-the-bay.com http://www.flower-snaps.com
Della Heywood, Painting http://dellaheywood.com
Ed Handelman, Painting http://edhandelman.com
Julie Jaycox, Botanical Photography juliejaycox.com
Ken Downing, Ink on Paper
Lynnie Rabinowitsh, Painting lynnierabinowitsh.com
Mark Varvoutis, Sculpture
Miriam Owen, Sculpture miriamowen-driftwoodsculpture.com
Peggy Huff, Mixed Media peggyhuffpainting.com
Richard Zimmerman, Photography rezphotography.com
Timothy Armstrong, Installation Photography curbworker.com
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